Book I of the DeChance Chronicles – Heart of a Drago – is featured at Kindle Books and Tips Blog
Heart of a Dragon – Book I of the DeChance Chronicles, by David Niall Wilson, is regularly $3.99 but has been discounted to just $0.99 today in the Amazon Kindle store. This book has received an average user rating of 4.6 out of 5 stars based on 10 customer reviews.
Here is the book’s description from the Amazon website:
Author’s Revised Edition
Donovan DeChance is a collector of ancient manuscripts and books, a practicing mage, and a private investigator. Over the span of a long life, he has gathered and archived the largest occult library in the world.
When a local houngan begins meddling with powers she may not be able to control, a turf war breaks out between the Dragons motorcycle club and the Los Escorpiones street gang—a war that threatens to open portals between worlds and destroy the city in the process.
With his lover, Amethyst, his familiar, Cleo – an Egyptian Mau the size of a small bobcat –the dubious aid of a Mexican sorcerer named Martinez and the budding gifts of a young artist named Salvatore, DeChance begins a race against time, magic, and almost certain death.
The fate of the city rests on his success, and on the rare talent of a boy who walks in two worlds, and dreams of dragons
***Bonus prediction one from the Crossroad Press Organic Shredder – Gizzy Momo – pictured left … Thunder & Lightning All Day long…***
I’ve seen some other folks making predictions about publishing and eBooks. Some of them seem pretty obvious, others show some insight, and still others seem kind of self-serving and more wishful than anything else. Crossroad Press has been in business for going on five years now (seriously, and a bit longer as a hobby). We’ve grown, made some mistakes, had some huge successes, expanded, and paid attention, and I thought, just for fun, I would make some predictions of my own for 2014. Some will be in direct disagreement with those of others…but all will be just me, talking about what I’ve seen, and what I know…
***BONUS PREDICTION FOR 2014: Neil Gaiman will continue to be wildly popular because he is an incredible storyteller ***
1) Print book sales are actually up. I see Barnes and Noble pointed out as about to flounder time and again, but here’s my prediction. Come next year, though people will probably still be predicting their demise, they’ll be right here. Nook book sales are steady for those who don’t spend as much time bashing Barnes & Noble as they do promoting books there, and working on sales. They lost the tablet war, but that was a war that no one should have started. Nooks are fine, and ePub books work on many devices. So, prediction #1, B&N will be in at least as good a shape this time next year as it is now. Probably better.
2) Audiobooks are going to start playing a bigger part in total sales, as systems like Audible’s ACX continue to make more titles accessible. With Amazon’s Whispersync for Voice program – something other eBook retailers can’t match – more readers will be able to pick up audiobooks at very reasonable prices, and more audiobook listeners will be picking up eBooks in order to get the bargain price on the audiobooks. The percentage of titles that make it to audio is already much higher than it was five years ago, and will continue to grow.
3) Content in eBooks that is video, enhanced, full of programmed features, will not do any better this year than in previous years, because they simply require people to read on tablets, not readers, and the trend (currently) seems to be (among serious readers) back toward simpler devices that are mostly good just for eBooks. If people want to watch a movie, they will download one – but books are not going to evolve into some new meta-entertainment system. At least not in 2014.
4) Libraries will continue to grow their downloadable content, and will embrace the new technologies and systems put in place to assist them. Overdrive will start to lose its market share because of simple greed – if it’s as expensive, or more expensive, to provide eBooks to readers, it isn’t going to help already suffering library budgets evolve and sustain. From personal contact with many librarians and buyers for libraries, I can state that there are a number of independent systems buying now directly from publishers, and more coming in the future. While I have seen people saying libraries will be buying directly from authors, don’t fool yourself. There will be an aggregator, and whoever that is is going to take a cut. Libraries don’t have the manpower or overhead to sift through hundreds of thousands of solicitations from authors to carry their individual books. In 2014, libraries will buy a lot more eBooks, but they will buy directly from publishers, or distribution systems.
5) Promotion of eBooks will continue to evolve. What works today will probably be on the wane by 2015 because it will become bloated, too many people will copy it, and the effectiveness will be diluted. Companies who succeed in weathering the storm will be those that keep their prices reasonable, pre-screen their titles to keep the quality as steady as possible, and change with the market. I expect that at least one of the big promoting machines will pick up on my earlier comment about Whispersync and audiobooks. I know from our own statistics that during really successful eBook promotions, we sell a ton of audiobooks on titles that are part of the Whispersync program.
6) It will not be any easier for a new author to promote or sell their books in 2014 than it was in 2013. Famous authors will continue to sell crazy numbers of books. Retailers like Amazon.com and Barnes & Noble will continue to announce books as best-sellers before they even go into pre-order. NYC will pump in the money that ensures millions of sales for books by tried-and-true authors. Most of the “Best of the Year” lists will ignore about 95 percent of the best of the year in favor of the Best of the Year published in high profile. The game, in other words, is just a modified version of the old game. The Catch-22 is that if you haven’t got a lot of money and aren’t fairly famous, the odds are stacked against you. Doesn’t mean you shouldn’t buck those odds, just stating a fact. A new cover, better description – .99 bargain price? They just don’t matter unless something causes readers to SEE YOUR BOOK. That is the key. The people who see it should not be your family, friends, and a thousand other authors…they should be people who don’t know you from Adam, but like to read.
7) Gurus will continue to tell you they know all the answers. I will continue to say – if that was really true, they wouldn’t spend so much time trying to do things other than write, they would be using their secrets and making millions. What works for one person won’t necessarily work for another. Pay attention to what successful authors say, watch what they do, but don’t try to be them, and try to find ways to use what you learn in your own way. “The next…” anyone will never be more than a dim shadow of the original, so why strive to be that?
8) Smaller print publishers will continue to be treated by bookstores as if they are big publishers, and many of both will fail because of this. Unless independent bookstores find ways to embrace Print on Demand publishers and distance themselves from the big distributors, they will continue to disappear and by 2015 there will be considerably fewer of them, shifting most print book sales to Amazon and B&N online. The old model of buying a bunch of books and then returning half of them will disintegrate as independent publishers flourish, and NYC slowly decays.
9) The age-old practice of looking at what’s hot and trying to copy it really fast will proliferate in 2014, continuing the spiral into that nonsense generated by successes in 2013, such as every variation of a shade of gray that can be applied to any sort of title being used to bump sales. You will continue to see people go on and on about thousands of “sales” that were free giveaways, best-seller lists that are meaningless, and piles of five-star reviews that don’t actually equate in any way to quality or sales. This is why – as stated above – the very popular authors will continue to be popular, and it will be hard to break in. For every book someone spent time and effort on, there are fifty crap titles with nothing in mind but ‘cranking them out’. This makes people gunshy about buying from new authors, and is also why the legit, careful promotional services will continue to draw actual readers.
10) The traditional author / agent / editor / publisher role will continue to morph. Agents are now admittedly scraping new clients off the self-published best-seller lists (probably from a lot of people they ignored when the books were originally submitted) and all this can do is lengthen the already ridiculous lag time between submitting a manuscript and hearing back. As more and more successful authors begin to see the huge profit margin shift of more independent publishing, more of their peers will begin to experiment and follow suit. Agents have a tiny number of slots they can fill these days, and the advances against royalties that almost never sell-through, according to statements, have grown so small that no one could possibly live off of them without selling five to ten novels a year. A steady income earned through solid, quality output and direct royalties back on a regular basis will win the day. Companies paying a fair amount to the authors and taking over responsibilities authors should NOT have to learn to do (despite what gurus tell them) will do well in 2014 will flourish, as will rip-off groups charging authors an arm and a leg for scanning, formatting, promotion, etc. and keeping huge percentages – something that sadly a number of literary agents seem to have indulged in. New models will emerge. Subscription based reading services like ScribD and NokBoks will test new waters.
I know a lot of this is kind of vague, and in several of these single predictions, I predict a bunch of things, and even offer possible alternative outcomes. The thing is, it’s fluid. No one knows everything, and new technology, players, and talent emerge every day. Keep an open mind, write… always be writing… and pay attention.
And from all of us at Crossroad Press, have a great New Year…
LAUNCHED A COMPANY LIKE A ROCKET…
Several years back i got the crazy idea to start getting my old books and stories digitized, and I started a very long, very involved learning curve that led me through the creation of Macabre Ink, and then the expanded Crossroad Press Digital, and finally – to what we have now – Crossroad Press Publications – print, audio, and eBooks from more than 130 authors.
First and foremost I want to thank David Dodd, who came on board early on and has been a lifesaver to the company. He is the master of spreadsheets, formatting scanned documents, and keeping me organized through years that have not grown simpler, but crazier – mostly in good ways. He is also responsible for a HUGE number of book covers, a talent he took up from scratch and has brought to an artform.
Many don’t understand how little of what we make, we keep. If we invest any money at all up front in a book, it can take hundreds of sales for us to even break even. Why? Because we have stood by our guns, and will continue to stand by our guns. This is an author’s first company, and most of the money goes to them. This means some books never make us any money, and others make us a lot – we share the risk, and the profit. We do what we can to promote and build readership, and I can tell you that the number of hours spent doing this is incredible – for myself, Dave Dodd, the love of my life Patricia Lee Macomber who has edited HUNDREDS of books in recent months – Kurt Criscione, Daz Pulsford, Anita Smith and an entire small army of proof readers have helped us present clean products, and as we’ve always said – the beauty of digital is you can fix things. We have been quick (and will remain quick) when it comes to remedying any mistakes we make or problems found by others.
I could go on and on with the thanks but instead, I’ll just end this with some pretty impressive numbers, and let it go at that:
Here is a short growth curve (rounded slightly in some cases) to show how our company has grown since 2010.
…………………Net Sales…………………………………Royalties to authors
2013……….170,523…………………………………….$197,600.00 (so far)
We are looking forward to great things ahead. We are making inroads in promotion, and have completely redesigned our website, and our presence, breaking into imprints for the various age groups and genres. You can see the beginnings of this at OUR NEW WEBSITE – once we get all of the author pages populated on all the various imprint sites, it will be much simpler to find our books, and our authors, without digging through more than 700 digital titles at the old online store. We have also published more than 350 unabridged audiobook titles, and have an impressive number of books available in print. Right now we are hard at work on the Official Book of the Winter Olympics – 2014 edition – which should be huge for us.
I hope you all have a wonderful holiday season, and to all of you - readers, listeners, authors, copy-editors, partners, and family. Thank you… I can honestly say, I never saw this coming.
-David Niall Wilson
I AM SILENT AUCTIONING BOOKS AND PRIZES to help Our good friends Elizabeth Massie and Cortney Skinner, who need some help with their roof. It’s a bad situation, and I want to do what I can. Here’s the deal. I am going to hold a small silent auction. Those who win on each item will be directed to donate their amount (or more) to the Go Fund Me below, and I will personalize and send their gift… I will run this auction for 24 hours. Here are the things up for grabs:
1) A Signed Limited copy of my novel Ancient Eyes – published by Bad Moon Books – Cover art by Don Paresi – Number 173 of 300.
2) A trade paperback of HALLOWED GROUND by myself and Steven Savile
3) A Signed limited edition of my novel MAELSTROM – published by Bad Moon Books – cover art by Alex McVey
4) VERY RARE – #2 of only 35 copies – the Deluxe slip-covered edition of my collection DEFINING MOMENTS – published by Sarob Press and containing my Bram Stoker Award Winning story “The Gentle Brush of Wings”
5) A Signed HC copy of my novel NEVERMORE – cover art by Lisa Snellings
6) A signed limited edition of my novel The Heart of a Dragon – Book I of the DeChance Chronicles…this is the true first edition – published by Bad Moon Books, cover art by Don Paresi
7) A signed hardcover of Patricia Lee Macomber’s ZOMBIE – A Love Story
8) Here are the ones that could get interesting. I’m currently writing the second Cletus J. Diggs novel, The Crazy Case of Foreman James. You can be a character in this story if you are high bidder. I will also auction off a character in the upcoming Donovan DeChance novel “A Midnight Dreary.”
That’s all. Just e-mail me. Tell me which item you’d like to bid on and your top bid. Tomorrow night at 8:00 PM I will announce the winners (assuming anyone bids).
ALSO you can just donate to help out BY CLICKING HERE
Recently, I bought an old Kay electric guitar. It’s a Style-Master – from 1959 (the same year I was born). Today I disassembled the guitar, and now I will proceed with the restoration. The wood body and neck are going to need very light fine grade sanding, and a clear coat of lacquer. It’s a blonde wood with no stain, so it won’t change the appearance, but should help preserve it. The pickups are a problem. The chrome covers are pitted a little. They used to be a sort of gold tone, but are mostly silver now. They are also riveted to one of the pick-guard plates, which also have some light corrosion and discoloration. I have to figure out how to fix them.
There is some corrosion around the potentiometers that manage the tone and volume – this guitar has three each of tone and volume, and then one that changes the pickups. I have to find a small tabbed knob for the top control, which is the pickup selector. The “V” and “T” is faded on some of the knobs, but I can use a tiny bit of white paint and fix those. The electronics, I’m afraid, I will have to replace, but it’s a simple wiring project, and I did this for 20 years in the US Navy – that part I can handle. The bridge is in great shape. The tuning pegs are functional, but the chrome is a bit rusted and pitted (see pictures) so I may replace them. The tail piece is copper or brass – it’s a little worn, but I think it will stay (after a polishing. There’s a white peg that goes through the bottom of this tailpiece and into the wood (looks almost like the pegs that hold strings) except the top of it is broken off (where a strap would connect) so I have to find one of those. I will keep you all posted as I go – but here’s what I could use… someone with experience to tell me how to handle those riveted on Pickpups. I guess they could be drilled out and replaced…? I need to figure out how to buff out or clean out the corrosion on the pick guards and then fix the finish (sort of a copper or gold-tone finish that looks as if it was lacquered over (again, see pics). I need a vintage K control knob with a single pointed tab on one side to point where it’s selecting.
In celebration of the author turning another year older, and Halloween, and Edgar Allan Poe, and all that … I’m dropping the price of Nevermore – A Novel of Love, Loss & Edgar Allan Poe to only $0.99 from now until the 16th of November. This will be featured a few places, maybe win a winder audience…one can certainly hope!
You will find that the sale price is good at Amazon.com - Barnes & Noble.com - and at the Crossroad Press Online Store – if you search this blog, you’ll find everything you ever wanted to know about this novel – reviews, interviews with me, interviews with characters in the book itself – starting to be one of my most popular works.
In addition to this savings, if you are an Amazon.com customer, and you buy the eBook for only .99 – you can download the unabridged Audiobook as well through the Whispersync for Voice program – it is narrated by Gigi Shane and she did a wonderful job. I’m very proud of this book, and I figured – while launching in to my 54th year of life, I’d start out by sharing something with all of you… so here you go.
Get them while they’re cheap! Also available in hardcover and trade paperback at all of the above vendors…
For interested fans – NANOWRIMO is about to start. This year I will be writing “The Not Quite Right Reverend Cletus J. Diggs & The Crazy Case of Foreman James,” the long awaited sequel to “The Currently Accepted Habits of Nature.” Stay tuned!
I am privileged and excited to be included in one of these very cool eBook bundles – a chance for readers to get a bunch of books cheap – and for authors to reach a new and wider audience. I’m not going to go on about it – all the details are below. The image is linked to the Storybundle site.
THRILLS AND CHILLS IN OUR OCTOBER THRILLER BUNDLE
Thrillers come in many different shapes and sizes and we’ve assembled a wide spectrum of tastes in this new thriller set, available Oct 22 through Nov 12. From worldwide conspiracies to rampaging kaiju creations, this bundle has it all!
StoryBundle’s Thriller Bundle is curated by international bestselling author Joseph Nassise, and includes his own novel The Cerberus Protocol, the first in a high-octane action thriller series written with long-time friend and co-writer Jon F. Merz. “We wanted to combine the action and suspense of the thriller genre with the chills of dark fantasy, which we think is a perfect combination for the autumn thriller bundle.” Nassise is best known for his internationally bestselling Templar Chronicles series and is a regular contributor to the Rogue Angel thriller series from Gold Eagle/Harlequin.
Joining Nassise and Merz are a host of fantastic authors bringing some truly original works – award-winner Christopher Golden brings the first in his Body of Evidence series; bestseller Jeremy Robinson treats us to a kaiju thriller to rival Pacific Rim; supernatural thriller writer David Niall Wilson shares a novel of love, loss, and Edgar Allen Poe, bestseller Russell Blake gets dark and deadly in a noir detective thriller. The U.K. contingent rounding out our bundle is equally impressive – #1 U.K. bestsellers Steven Savile, Zoe Sharp and Sean Black all deliver tension-filled excitement in their action-oriented thrillers.
Nassise, who assembled this talented collection of writers, says, “I wanted to showcase the variety inherent in the thriller genre today and decided that only the best would do. To that end I put together a group of bestselling and award-winning writers, knowing the result would be an impressive showcase of the very best the genre has to offer.”
The initial titles in the Thriller Bundle are:
- The Cerberus Protocol by Joseph Nassise and Jon F. Merz
- Body Bags by Christopher Golden
- Project Nemesis by Jeremy Robinson
- First Drop by Zoe Sharp
- Nevermore by David Niall Wilson
- Black by Russell Blake
If you pay more than the bonus price of just $10, you get all six of the regular books, plus two bonus titles, which include:
- Ogmios by Steven Savile – a three-in-one omnibus edition that includes the novels Solomon’s Sealwritten with Steve Lockley, Lucifer’s Machine written with Rick Chesler, and Wargod written with Sean Ellis.
- Lock & Load by Sean Black, a Ryan Lock novella
That’s a total of ten novels in all!
The bundle is available for a very limited time only, via StoryBundle, and allows for easy reading on computers, mobile devices and Kindles via file transfer, email, or other methods, with multiple DRM-free formats (.epub and .mobi) available for each book.
It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards—which allow you to send someone a code that they can redeem for any future StoryBundle bundle—and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.
Why StoryBundle? Here are just a few benefits StoryBundle provides.
- Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
- Pay what you want: You decide how much six fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to six thrilling titles.
- Support authors: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog.
- Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to charity. We’re currently featuring Mighty Writers and Girls Write Now.
- Receive extra books: If you beat our bonus price, you’re not just getting four novellas, you’re getting seven!
StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.
Here’s the deal. Back in 2009 a very warped idea was conceived on the social media micro-blogging site, Twitter. It became my latest novel – KILLER GREEN. This project has done well so far depending on social media as it’s platform, so I’m reaching out again. The book needs readers and reviews. I will therefore gift 20 copies of this book to folks willing to review it on Amazon.com – and I’m making this call through the blog where the original screenplay that became this novel was written and shared – and through Twitter and Facebook, where it has continued to exist – largely due to the friends and online family that helped bring it to life. Below is the Author’s introduction to the book, which gives the whole sordid story of the screenplay and it’s journey to eBook – soon print and unabridged audio. To receive your copy either DM me on Twitter at @David_n_Wilson – send me a message on Facebook at https://www.facebook.com/DNiallWilson or send an e-mail to david AT macabreink DOT com. First 20 in get the books. Tell me your preferred eBook format in your note, and if you want the Kindle book, please supply the e-mail you use on Amazon so I can gift it to you.
Here is the Synopsis for those who have missed it: Quentin Tarantino meets Smokey & The Bandit in this noir, science-fiction thriller. Sometimes, people just need killing. When Sam West wanders into the Sunny-Side-Up Diner for the last time, hoping for a last slice of Mort’s world-class pie, and one last look at a waitress named Delilah, he has no idea he’s about to become the instrument of a great, karmic cleansing. The only thing crazier than the seemingly inevitable trail of bodies following Sam and Delilah south is the fact that – as State Police and local sheriffs begin to investigate – they find no evidence. Nothing. And the missing bodies are just the start, as an unlikely band of companions are drawn together in a scientific experiment more in line with the TV Series Fringe than anything in reality, with the threat of alien probes, local law enforcement, and rednecks around every corner.
I’m listening to the audiobook of J. K. Rowling’s pseudonymous mystery / thriller, The Cuckoo’s Calling – narrated by Robert Glenister and attributed to the fictional author Robert Galbraith. I will start by saying it’s a thoroughly enjoyable book, and that I’m very pleased to have been in on the secret prior to reading it, because there are hints of Hogwarts I might have missed otherwise, like the victim – Lula Landry – can’t help but remind one of Luna Lovegood, and the accented voice of Cormoran Strike, our erstwhile detective, when performed by Robert Glenister, resonates with hints of Hagrid. This is not a review of the book; I have other things on my mind, but I have to say, I am loving the characters, the story, and the narration, as I would expect to, the work having been created by a favorite author.
That brings me to the crux of the matter, though. I almost didn’t get the opportunity. The book, first released as a novel by Robert Galbraith, would likely have slipped past me unnoticed. It received what your average novel with a slight leg up might see – came out in hardcover and got a short bit of press, and then began to fade quietly into obscurity, despite solid, positive reviews. All of this changed, of course, when people learned that it was J. K. Rowling behind the pen, and that she’d managed to put one over on the literary world. There are now more reviews of the audiobook on Audible.com than I have sold of my last book…and considering the low percentage of listeners who take the time to rate, or review, the numbers become staggering pretty quickly.
A couple of things occur. I am betting that Rowling’s agent and publisher were never as enthusiastic about this as she was. I am guessing they tried to tell her how hard such a transition to another genre was going to be. I am also guessing it was their idea for the book to come out under a pseudonym. I’m of two minds on this.
For one thing, I am fairly certain that it is doing as well as it is partially BECAUSE of the revealed secret. The sad fact is that the subject of my post here (which I promise to get to eventually) is as evident in readers as it is in publishers and editors. If this book had come out as a mystery novel by J. K. Rowling, it would have done well, but it probably would not have been the phenomenon that it is. Many people would have nodded and smiled, but waited in hopes she’d come back with more Potter. It’s happened to others – John Grisham, and “The Painted House” which is one of his best books, and also slowest performing. The truth is; the “branding” everyone is so hot to create for authors is a two-edged sword, because, by definition – you are branded.
I have mentioned this before, but never attacked it head on. Limiting an author to what an editor, an agent, or even the public expects and wants to hear from them is a horrible, soul-sucking thing. Only at the very top end of publishing, the Kings and Koontz’s of the world, can the bonds be broken, and in most cases it’s because the author’s name has grown so powerful it’s a genre unto itself. Anyone mid-list and below with even moderate success who comes to their agent or editor with something completely different is probably going to be ignored, harangued, or at the very best, forced into a pseudonym – where the book will be treated like any first book and forgotten, and the editor / agent will say SEE? Of all the evils and horrors of the world of publishing as it has grown over the years, bloating, shifting control to agents (who are supposed to work FOR writers) giving marketing control over content, when marketing as often as not wouldn’t know a book if it slapped them in the face but DOES know the lowest-common-sales denominator, and, of course that’s more important than quality, the forcing of authors into “molds” is the most insidious and has probably cost us the most in terms of wonderful, forgotten books.
Writers are artists. They perform at their optimum capability when creating what they need to create, not what someone wants to sell. The farther you stray from this truth, the more generic and cookie-cutter the work becomes. I have not been categorized – not really – because I’ve yet to have one of my books take off. I am certain that if one of them does, that is what I’ll be known for, and judged against, and shelved by… and I will have to fight against that because I simply enjoy writing what excites me too much to go back to writing what someone else thinks I ought to.
J. K. Rowling is my hero because she did what she wanted to do, and then, she made it powerful. She put herself and her name behind it and said “This is what I wanted to write,” and it is GOOD – and I love her for that. I only wish she had not needed to prove the worth of the book by hiding it under another name, and that publishing, the reading public, and life were not so caught up in the notion that you have to buy the known quantity. The movie with the top actor. The book with the biggest name-brand and associated with the history of that brand. The car some idiot drove too fast in a movie that is (in fact) nothing like the one you can buy…
You should all go and read The Cuckoo’s Calling because it’s a wonderful book, and because a talented author wrote it. You should not read it because she wrote Harry Potter… but because you recognize and appreciate her talent. You should not have to make that choice, but the world has put it in front of you… How many people read 50 shades of crap, just because there was a big hoopla over it, and in SPITE of the almost absolute agreement among critics, authors, and readers that the writing wasn’t good? How many people – also despite all of that – will go and buy the book on writing written by this person who by all accounts writes poorly – because it has her name on it? How many of you – honestly – who read or are reading The Cuckoos Calling would have done so if J. K. Rowling had been on the cover originally, and there had never been a secret, or a big deal made of the revealing of that secret?
The question is, of course – can writers make their way writing what they want to write, and can readers learn to pick books – not because of advertising hype, or “branding” - but because of quality? Or will publishing, despite it’s changing face, always make buying books as much like buying cereal as it is like art?